For a photography addict and of course, G.A.S. sick, receiving the gift of a camera surely gives a special pleasure. And when this is another little gem from Zeiss, as Contina IIa, the satisfaction is even bigger. Of course I loaded “her” immediately with a Efke KB 50 and started my test.
In this Christmas post I want to begin by thanking the thousands of readers who have been kind enough to follow my blog. Being able to reach and share my experiences with people of every continent is to me, a source of pleasure and pride. Personally, I learned (and still do) a lot from the many blogs on the web about analogue photography. I could see countless photos, evaluate the results of many different pairs of cameras / lenses / films / developments and get an idea before i can do it myself. Sharing is caring … is an important concept, and I wanted to give the humble contribution of my experiences, sure it could be (sooner or later) useful to someone in the world. The results achieved in such a short time (less than 9 months) confirm and encourage me to continue on this path.
This time, the subject of my post is the Zeiss Ikon Contessamat SBE loaded with Adox CHS II ISO 100, from which the film was practically … perfect!
Not happen often, because I prefer to shoot in b/w film and develop it by myself, something certainly less complicated than the color and also for economic reasons (at least here in Italy the costs for lab-development of a color negative reached 8 € or more) , but when it takes …. it takes. At times a bit of color can not miss. Besides, I wanted to see how would the Holga GN work in this case.
Since I was very pleased by the Canon P(and Here) rangefinder, with Leica M39 mount, as soon as I had a good opportunity , I got the following model: the Canon 7. The latter, brings some improvements such as rotating frames in the viewfinder to frame with different focal lengths (35, 50, 85/100 and 135mm) and a semi-coupled selenium light meter.