It is true: we’re back in the …. Eastern Europe’s phase. The fact is that the cameras and film rolls accumulate, remain there for a while in half use and then finally, it is their moment to be finished, developed and published. So, it happens that concentrated within a period, similar types or even different versions of the same models. This time it is the turn of the small, but very pretty, Werra 1. Obviously, produced in the former GDR. Simple, spartan (no range finder or meter), but well performing (Carl Zeiss Tessar 50mm f/2.8 lens) and with some super-technologic “surprise”, at least for the time.
Finally, I got a Leica M …. namely, a M2. But also to use a legendary camera, you need the right lenses. So I had to find some… just to start and got a 35mm Voigtlander Color Skopar f /2.5 (Leica M mount) and are waiting for a Leitz Elmar 90 mm f/4 with Ltm mount (M39). But in the meantime, a friend of mine lent me a “Collapsible” Leitz Summitar 5 cm f/2 Ltm mount too, a bit ruined … just to test it. While waiting for a Ltm to Leica M Mount adapter ring, I decided to test first this one, both in digital (with a Fujifilm X-T10) that on film by mounting it on my Canon 7 rangefinder.
Many film photography fans are fascinated by cameras (and lenses) produced behind the so-called Iron Curtain, in countries of the former Warsaw Pact. The DDR (or GDR) between them has created brands as Ihagee, Praktica, Pentacon (which has absorbed the first), synonymous with high quality construction mechanics, along with names such as Carl Zeiss Jena, Meyer-Optik and the same Pentacon with lenses even at the highest level of quality. Speaking of cameras, robustness is one of the main qualities. The reliability of the models built in eastern Germany is also much higher than that of her contemporaries and even valid Soviet models. It is not uncommon then, to come across more than fifty years old cameras, which seem to come from the factory today and fully functional.