By the Sea – Contax 159mm Test

Contax_Rpx100_001

Today it is raining so, instead of going out to photograph (that is the thing I love the most), better stay dry and write a nice post on my blog. This time we’ll talk about a high-end camera …. lent by a friend (yes, the same one who gave me the Leica R5) for this test. Some general thoughts before strating: the history of photography, especially of lenses, before the advent of Japanese ones, was made almost entirely by two brands: Zeiss and Leica. Two houses that have marked the mass diffusion of 35mm photography and  in the case of Zeiss, also of medium and large format.

Continue reading

Printing Time! Adox CMS 20 in Ars Imago Fd

CMS20_Test_002

As described in the second post of this blog, I recently made an “hazardous” test with a film (Adox CMS 20) rather difficult to treat, even with its dedicated developer. The test was done at box speed (ISO 20) and as developer, I used the Ars Imago-Fd. The negatives were rather “hard” and contrasted, though (at least when scanning) image data seemed well present in the shadows as in the highlights. But, the ultimate goal of an image shot on film is undoubtedly the wet print in the darkroom. Only on the final print we can make a judgment that has a real sense and evaluate details such as definition, grain, and so on.

Continue reading

TEST ADOX CMS 20 DEVELOPED IN ARS IMAGO FD (PART TWO)

Yellow Filter Used

Yellow Filter Used

Okay, I will confess: I did it again! I went again against the rules and developed once more the Adox CMS 20 film with a conventional developer (Ars Imago-Fd) instead of the dedicated one. The reasons which lead to this are widely mentioned in this post, which describes the results of my first test with this combination. As reported in the conclusions, I had promised myself to make a new test exposing for a lower speed than the nominal 20 Iso, in order to have more open shadows and to evaluate the yield of the intermediate grey tones and highlights using these new parameters. Thanks to the cooperation of Ars-Imago, I had the chance to try some other film rolls.

Continue reading

Test Adox CMS 20 developed in Ars Imago FD (Part One)

001_Rollei_CMS20_009

Unlike my first post of this blog, where I told briefly about one of my first shots of my new analog experience, this time I would like to talk about my latest experiment. A rather reckless one …. I launched into an “unlikely” test with a film and a developer I never used before. So far, you say, there’s nothing so strange. Who has not ever done? Yes, it’s true, but the film was not one of those more or less “standard”. And in addition, has a dedicated developer. And who am I, after just about twenty developed rolls, to do such a test?

Continue reading