The Moskva 5 is a big Soviet made camera, which follows forms and performance of the most renowned folding Zeiss Super Ikonta. Snap 6×9 cm frames and 6×6 through a special removable mask. For the technical specifications of the camera back to the previous test readers: here and here. This time, taking advantage of a typical winter day, I wanted to use it in its native format, for large negatives (if any) to print.
Sometimes, when you receive a vintage camera, it happens to find inside an old negative, forgotten there for who knows how many decades. It happened to me twice in the past, into a folding 6×6 Rheinmetall Weltax and a few days ago, in another folding MF, the Agilux Agifold. In the first case, the roll was totally blocked and I could not avoid exposing it to light to pull it out. I only remember that it had a red bordeaux paper. This time, however, having noticed through the rear window the presence of a film (at N° 10), I rewound with the intention of developing it. It was an old Tri X Pan Professional, which I developed semi-stand on Adonal (Rodinal) 1: 100 for an hour. Results? Totally disappointing but ….
Fed, along with Zorki and Zenit is one of the best known Soviets brand by photography enthusiasts. Since the early 30’s of the twentieth century in fact, have been built millions and millions of Fed cameras. Just to give an idea, the initial model that was simply called “Fed” (ФЭД), since 1934 and until 1955, were produced (in many variations) about 720,000 copies, while for the model 5 in production from 1977 to 1990, I have no data (according to the website Sovietcams, which I suggest to refer to anyone interested in identifying and learn more about these cameras) but are surely made in hundres of thousands copies.
This is the fiftieth post of this blog! It is now two years since I started shooting again with film. And to do that, I have from time to time, let fascinate by many “vintage” cameras which, in during the late 70’s/ early ’80,s when I was a young photography enthusiast I would have considered old and obsolete, not up to fulfill my alleged. ..talent. Obviously, the inexperience led me to consider the modern (at the time) Nikon F2, Pentax Lx, Olympus OM1 etc. as the only ones capable of producing high-end images. Of course I was wrong and I understand it … thirty or more years later, during my second analog life. One of the cameras that gave me the most satisfaction was an humble medium format folding made in the ’50s: the Agfa Isolette III.
As I already wrote in the first part of this post, while traveling in Bavaria, apart from a roll shot with the Leica R-E and one with the Canon P (nightshots), I used two Olympus cameras (OM2n and OM10). I have already expressed an opinion about the films I used (Ilford XP2 Super 400 and Kodak Tmax 400).
Leica R-E & Vario Elmar 35-70mm – XP2 Labdeveloped
As loyal readers already know, at the beginning of December I faced (after almost 15 years) traveling exclusively using film cameras only. In this post I showed the equipment that I planned to use. Furthermore, I also had an Olympus OM10 with three Zuiko lenses (28, 50 and 135mm) as a backup just in case. Once in Munich (Bayern), I bought a nice Olympus OM2n, accompanied by a Zuiko 35-70mm f/3.5-4,5 and a Tokina RMC 24mm f/2.8. The films I used were Ilford XP2 Super 400, Kodak T-Max 400 and Ilford Delta 3200. In total, I took 8 rolls of 36 frames. A ridiculous number of shots when compared with those obtained in a half-day with any digital camera. But this is precisely the reason that led me back to the film, so I am absolutely delighted to have chosen this path.
In this Christmas post I want to begin by thanking the thousands of readers who have been kind enough to follow my blog. Being able to reach and share my experiences with people of every continent is to me, a source of pleasure and pride. Personally, I learned (and still do) a lot from the many blogs on the web about analogue photography. I could see countless photos, evaluate the results of many different pairs of cameras / lenses / films / developments and get an idea before i can do it myself. Sharing is caring … is an important concept, and I wanted to give the humble contribution of my experiences, sure it could be (sooner or later) useful to someone in the world. The results achieved in such a short time (less than 9 months) confirm and encourage me to continue on this path.
This time, the subject of my post is the Zeiss Ikon Contessamat SBE loaded with Adox CHS II ISO 100, from which the film was practically … perfect!
Surely, many fans consider the XP2 Super an excellent film. High sensitivity, fine grain and good tonal scale are the reasons for its success. There’s only one small problem: it is designed to be developed with C-41. The same process used to develop color films. In recent years, however, after the explosion of digital, the laboratories that dealt with these films have gradually disappearing and often, those who want to use them, must resign themselves to send the rolls of exposed films to other cities (with consequently higher costs and waiting times), or to develop by themselves.
Ok, it’s a long time since I published on this blog. The problem is that my move went for long and between the forced inactivity and the cartons still to be opened, I have not been able to develop some rolls which are waiting for months. But a true blogger can not leave his readers with no new posts for too long. So I went to rummage in the archive and I pulled out some shots. These images come from the first roll which I took with my Rolleiflex Planar 3,5F more or less a year ago. Continue reading →
After the recent test of the Leica R5 (with the Vario-Elmar 35-70 zoom), I had the opportunity to shoot again with a series R camera, namely the R-E. This is a simplified version of R5, diversified by the fact of having only the manual exposure and aperture priority. It’s been produced in a limited number of units (about 6500) and according to the experts, has proven reliable and free from some electronic drawbacks present in the Leica cameras made before the R5. This time, in addition to the Vario – Elmar zoom I got to shoot with the “Mighty” Summicron R 50mm (Type II – Made in Germany) f/2. A lens that, if not quite up to the homonymous M series for rangefinder cameras, it certainly comes very close to the performance of that.