All right guys… this is neither a camera, nor a film photograph. But it’s closely related to. It’s a series of electronic ballast for UV lamps. In fact, I’m building an UV Printer for Platinum/Palladium (and other old techniques) contact printing. Stay Tuned…! 😉
There are many excellent Eastern Europe lenses of the past with the M42 screw mount, and I have some, e.g. the Helios 44M4 58mm f/2. Built in the former Soviet Union to equip Zenit cameras. The latter, while if robust, often have limits, both operational, and reliability. To play it safe and always staying behind the Iron Curtain, should turn to production in the former GDR. Still were German! And so, I did not miss a couple of Praktica Mtl5 bodies . One normal, and the other in B version. These differ between them practically only in the power source of the TTL CdS meter. The second in fact, uses the current LR44/SR44 batteries, while the first was designed for use with the PX625 mercury.
It’s been love at first sight: she was large and heavy but it gave me a feeling of solidity and undeniable power. She went home with her beautiful Sekor C 90mm f/3.8 lens, a Vivitar duplicator and two SDPro backs, (one for 220) but she felt a bit lonely and I proceeded immediately to add Sekor C 50mm f/4.5 and 180mm f/4.5. At that point, I was ready to fight a war. The only problem is that such equipment can fight mainly in the studio photography, because to use it outdoors things get complicated struggle. And so, the time has passed (almost two years), until a few days ago …
During the month of August, typically, people is on vacation or otherwise, busy with the many things to do left behind throughout the year. For this reason also the publication on this blog slows down. But, for (probably) the only one of this month I wanted go “big”, publishing an unusual mix of images taken with pinhole cameras. In addition to the Holga WPC you already know, I used for the first time the “Reality so Subtle” 6×6.
Recently, I’ve been quite busy both for purely professional reasons, both for participation in an important collective photographic project. The State of Things, this is its name, is a project of social and documentary photography, entirely self-financed and self-released, carried on by about 40 italian photographers, which aims to keep alive the attention of public opinion and institutions towards the situational city of L’Aquila (and vicinity), struck seven years ago by the disastrous earthquake that has devastated not only the urban aspect, but also the entire social and economic life. For this reason, I had to slow down both my usual shooting pace with the film, and the publication of new posts on this blog. But, I could not leave alone too long my loyal readers, and so, I had already prepared some material to be published in this period. Here is the second part of my tests carried out with the Canon 3000N, this time loaded with Kodak Trix.
About a year ago, I got a nice Minox GT camera and I took some rolls of film straightaway. The second and third have already seen them in these posts. The first one however, remained hidden somewhere, patiently waiting for me to find the time to handle it. In fact, there was the problem of the film tail completely rewound in the cartridge: the first empirical attempts, however, had not brought good results and the “Film Picker” I had purchased had disappeared during the move. Well … a long story.
Walking along the Via Appia Antica, in Rome, it’s like taking a leap into the past. Nearby, the modern city with all its noise and its concrete while before our eyes they lie green fields, luxury villas half-hidden among the ancient trees and above all, to the sides of the old road (often with the original flooring), construction of the Roman era, statues, temples and votive plaques. That alone could be enough to bring the visitor back in time more than twenty centuries but, sometimes, you can do amazing meetings, which return a scenario worthy of those immortalized by landscape painters of the nineteenth century.
Since I started (again) to deal with analog photography, I discovered that there are many enthusiasts who use and collect eagerly Retina cameras and Retinette produced (in numerous models and variants) by Kodak Nagel in Germany from the thirties to the late sixty. At the beginning I did not give much weight to the thing: I was attracted more by other types of cameras, but then some “virtual” friends have strongly advised me to try them. I must also say that my “family camera”, the one with which my father photographed my childhood … was a Retinette Ia!
Generally (and you can see it all in this blog) I prefer to shoot with film in black and white. Both from the point of view of personal expression and because I believe that is easier and cheaper to self-develop b/w instead of color. Occasionally, however, (you may have noticed this too) I like to take some color photos. I do not have so much experience in this regard, having only used the Kodak Ultramax 400 35mm and a couple of Fujifilm (Pro 400H and Reala 100) in medium format.
It was a long time I wanted to start shooting with a pinhole camera. To begin with, I got an Holga 120 WPC which was waiting patiently to be used. And so, yesterday morning, taking advantage of a beautiful day in late January, I was immersed in an immensely fascinating and immortal landscape: the Roman Forum and the Palatine hill.