Darkroom… in progress.

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After more than two years since I started using film again, the inability to print my negs was becoming unbearable. Unfortunately I do not have any usable space in the house and I do not like at all the “flying solutions”. So I was  almost resigned to not being able to have my own darkroom for a long time yet. Recently, however, while they were undergoing some work in my garden, I decided to convert an old storage room into something more substantial masonry … and use it as a Darkroom, although devoid of running water (too difficult and expensive to achieve an appropriate plant).

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Printing Time! Adox CMS 20 in Ars Imago Fd

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As described in the second post of this blog, I recently made an “hazardous” test with a film (Adox CMS 20) rather difficult to treat, even with its dedicated developer. The test was done at box speed (ISO 20) and as developer, I used the Ars Imago-Fd. The negatives were rather “hard” and contrasted, though (at least when scanning) image data seemed well present in the shadows as in the highlights. But, the ultimate goal of an image shot on film is undoubtedly the wet print in the darkroom. Only on the final print we can make a judgment that has a real sense and evaluate details such as definition, grain, and so on.

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Test Adox CMS 20 developed in Ars Imago FD (Part One)

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Unlike my first post of this blog, where I told briefly about one of my first shots of my new analog experience, this time I would like to talk about my latest experiment. A rather reckless one …. I launched into an “unlikely” test with a film and a developer I never used before. So far, you say, there’s nothing so strange. Who has not ever done? Yes, it’s true, but the film was not one of those more or less “standard”. And in addition, has a dedicated developer. And who am I, after just about twenty developed rolls, to do such a test?

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