Darkroom… in progress.


After more than two years since I started using film again, the inability to print my negs was becoming unbearable. Unfortunately I do not have any usable space in the house and I do not like at all the “flying solutions”. So I was  almost resigned to not being able to have my own darkroom for a long time yet. Recently, however, while they were undergoing some work in my garden, I decided to convert an old storage room into something more substantial masonry … and use it as a Darkroom, although devoid of running water (too difficult and expensive to achieve an appropriate plant).

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Pentacon Six Tl – Houston we have a problem (or two)… Part One


Being (among other things) a fan of cameras and their respectable lenses, made behind the Iron Curtain , long ago I had the opportunity to enrich my vintage “arsenal” with a beautiful  Pentacon Six Tl, fitted with its Carl Zeiss Jena Biometar 80mm f/2.8 standard lens, wlf and metered pentaprism with angled eyepiece (and diopter correction). The camera is truly remarkable aesthetic and mechanical conditions, but a first test roll gave so many problems that I thought of having to make another to correct some of my errors in the loading of the film and in the development of the same. In the meantime, I ordered a new focusing screen with split image on Araxfoto site. Following the instructions on the  Pentaconsix site (which I highly recommend for any info about these cameras), a few days ago I loaded a Ilford HP5+ film and started my hunting for satisfactory images. But …. things do not always go as we would like …

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Lomo Smena Sl – Just twelve frames of (1992) Expired Orwo Np20


This time I deal with one of the most popular cameras in the world: the Lomo Smena. In the specific case (just to complicate a little the affair) the SL version, adopting a sort of variation of more known “Rapid” loading system, introduced by Agfa in 1964. Born as an antagonist of the Kodak 126 system, it was adopted by some brands, but didn’t have long nor too fortunate life. I have to say about, that in my childhood I used repeatedly Kodak Instamatic cameras, either in 126 or 110 and perhaps one Agfa 110 … but I’ve never seen a Rapid or SL model.

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The Bayern Film Tour – Part One


Leica R-E & Vario Elmar 35-70mm – XP2 Labdeveloped

As loyal readers already know, at the beginning of December I faced (after almost 15 years) traveling exclusively using film cameras only. In this post I showed the equipment that I planned to use. Furthermore, I also had an Olympus OM10 with three Zuiko lenses (28, 50 and 135mm) as a backup just in case. Once in Munich (Bayern), I bought a nice Olympus OM2n, accompanied by a Zuiko 35-70mm f/3.5-4,5 and a Tokina RMC 24mm f/2.8. The films I used were Ilford XP2 Super 400, Kodak T-Max 400 and Ilford Delta 3200. In total, I took 8 rolls of 36 frames. A ridiculous number of shots when compared with those obtained in a half-day with any digital camera. But this is precisely the reason that led me back to the film, so I am absolutely delighted to have chosen this path.

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