As mentioned in the previous post on the Canon 55 Qd, I went back after a year, in some of the places affected by the disastrous earthquake of 2009 in L’Aquila. This time, I used the camera with the 50mm f/1.8 II lens in some locations where the light was very poor. That’s why I had to push the Kodak Trix @ 800 Iso and in spite of that, in some cases, I had to use very slow speeds handheld. The results, however, do not seem despicable at all.
Ok guys, I am back again. The beginning of the new year was a bit ‘busy and for various reasons, I have not posted anything during January. This does not mean that I have not continued to take pictures, of course. 😉 Before moving on to other cameras and lenses, however, I wanted to finish the series of “experiments” with the Praktica. This time, on Mtl5B I mounted a Pentacon 29mm f / 2.8.
There are many excellent Eastern Europe lenses of the past with the M42 screw mount, and I have some, e.g. the Helios 44M4 58mm f/2. Built in the former Soviet Union to equip Zenit cameras. The latter, while if robust, often have limits, both operational, and reliability. To play it safe and always staying behind the Iron Curtain, should turn to production in the former GDR. Still were German! And so, I did not miss a couple of Praktica Mtl5 bodies . One normal, and the other in B version. These differ between them practically only in the power source of the TTL CdS meter. The second in fact, uses the current LR44/SR44 batteries, while the first was designed for use with the PX625 mercury.
The Moskva 5 is a big Soviet made camera, which follows forms and performance of the most renowned folding Zeiss Super Ikonta. Snap 6×9 cm frames and 6×6 through a special removable mask. For the technical specifications of the camera back to the previous test readers: here and here. This time, taking advantage of a typical winter day, I wanted to use it in its native format, for large negatives (if any) to print.
I promised you, my dear readers: this would be the last Retina test. Actually it had been there for a bit of time and waited for his chance to be used. The Retina IIa is one of the most sought after on the market and in fact, I struggled just to find a copy in good condition at a reasonable price. The reasons are soon said: small, handy, but at the same time, equipped with a rangefinder and especially, the prestigious and fast Schneider Kreuznach lens Xenon 50mm f/2.
For several months now I have started to frequently use the Ilford Delta films, and also the Ilford Ilfotech DD-X as a developer. I always got good results exposing the Delta @ box speed, but also, for example, “pushing” the 400 to 800 ISO, as you can see in this post. Given these results, I wanted to go even further and so, I loaded my Olympus OM 10 with a roll of Delta 400 and set the meter on the 1600 Iso value.
Once again, on this blog, it is the turn of a Kodak Retinette. This time, it is the IIA model (Typ 036), produced in the 1959/60 biennium. It differs from the (virtually) contemporary IA model especially for the presence of the coupled exposure meter and the ingenious method indicating the depth of field similar, if not practically equal, to the one present on the IIB model. To tell the truth, the numbering of the various Retinette models is rather convoluted and I myself still constantly confused between a model and another. So I recommend you consult this Camerapedia page to get a better idea. However, whatever the denomination, each Retinette model I used has always lived up to the hype, back home photographs very well exposed and sharp, thanks to the excellent Reomar, both in the Schneider Kreuznach (IIB versions and IIA), or Rodenstock (IB) versions.
Recently, I’ve been quite busy both for purely professional reasons, both for participation in an important collective photographic project. The State of Things, this is its name, is a project of social and documentary photography, entirely self-financed and self-released, carried on by about 40 italian photographers, which aims to keep alive the attention of public opinion and institutions towards the situational city of L’Aquila (and vicinity), struck seven years ago by the disastrous earthquake that has devastated not only the urban aspect, but also the entire social and economic life. For this reason, I had to slow down both my usual shooting pace with the film, and the publication of new posts on this blog. But, I could not leave alone too long my loyal readers, and so, I had already prepared some material to be published in this period. Here is the second part of my tests carried out with the Canon 3000N, this time loaded with Kodak Trix.
Wandering through my usual analog groups on the web, some time ago I saw a post about a “modern” Canon film camera and I remembered to have it. It’s the Canon Eos 3000n, purchased in 2005, already in a digital era and used very little (just a couple of rolls with Russian fisheye, as you can see in this post). So I went to rummage through my boxes moving house and I … exhumed it. To make it work I had to buy two new (and expensive) CR123A batteries. The camera, however, quickly got to work fine, like it was just out of the store. The 3000n was an economic model, built with abundant plastic use, but with many useful features and more, thanks to Eos mount, I can use my Canon lenses I owned for professional use in digital. As the first film I chose to test again the Foma Retropan 320 after the unsuccessful first test souped in FX39. This time I planned to use the Ilford ILFOTEC DD-X and I have to say that the results were quite interesting ….
Yes, dear friends, it’s been a year since I published the first post of this blog! And it’s thanks to you that followed and helped it grow, that this experience has become day by day more enjoyable and exciting. It’s nice to know to be able to contribute, albeit in small part, to the preservation and indeed, to the spread of Analogue Photography. Getting readers from all over the world, and still rising, is a very satisfying element: a sign that I’m working well, in the right direction and with credibility. A small bunch of words and opinions, but many images that speak for themselves, so that readers can always evaluate the results and decide if and how these can be useful for him. A film / developer pair? An old camera? A lens you heard about? Here, maybe, on this blog you can find something of interest to you, written and photographed by an enthusiast, just like you, and exactly in the conditions of use that anyone can experience in his real life. Thank you, once again, my friends, to support me following this blog! I will do my best to always live up to your trust.