The Kodak Retina IIIc (Typ 021 Ausf I) – Almost a Queen

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Okay, do not say I did not warn you! Most of my purchases in recent months has focused on Kodak Retina and Retinette cameras. As a result, even my shots and post on this blog … reflect this trend. This time, however, let’s consider one of the “Top” models of the range: the Retina IIIc (Typ 021 Ausf I). Laboriously, and after a long search, I managed to win one at an affordable price. In fact, many collectors and enthusiasts, eagerly, are grabbing these jewels of photography, conyinuosly raising the prices. Indeed, the aesthetics, the level of construction and the photographic performance, give their holder the feeling of holding in your hands something really valuable.

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Leica R5 – But she wasn’t mine

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Who knows why, for some reason, every time I used a Leica, was never mine? The first time, an M7 with Summicron 35mm, I was entrusted by the magazine which I collaborate with (Fotografia Reflex), the second time, a D-Lux 6 (Digital), directly from the Leica factory itself. You can see some of the results on the Leica official blog. This time, I had the opportunity to test one R5 with the Vario-Elmar zoom 35-70mm f/3.5, thanks to a friend who had just bought it. Basically, I’m doing the beta-tester for him! Sooner or later … I’ll have to decide to get one of my own … 😉

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Test Adox CMS 20 developed in Ars Imago FD (Part One)

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Unlike my first post of this blog, where I told briefly about one of my first shots of my new analog experience, this time I would like to talk about my latest experiment. A rather reckless one …. I launched into an “unlikely” test with a film and a developer I never used before. So far, you say, there’s nothing so strange. Who has not ever done? Yes, it’s true, but the film was not one of those more or less “standard”. And in addition, has a dedicated developer. And who am I, after just about twenty developed rolls, to do such a test?

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Thirty years after

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Something happened last year.

After more than 10 years of full digital commitment, running around faster and faster and shooting millions of (often completely useful and meaningless) images, simply I couldn’t go on anymore. Until then I would never had thought to use film photography again for the rest of my life.

I was wrong!

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