Okay, it was a bit of time that I don’t propose one of my “mixed salads”, in which I put too many ingredients … and therefore, risk bad results. Yeah, because when there are too many elements (with whom you have little or no experience) in the game, it becomes difficult to avoid mistakes. However, this time, I am definitely satisfied: everything went well, and each element has worked to perfection, leading to impressive results … as of course, you can judge by yourself looking at pictures.
First film trip after 15 years. A week in Bayern for a full immersion into Film Photography. Stay Tuned! 😀
Surely, many fans consider the XP2 Super an excellent film. High sensitivity, fine grain and good tonal scale are the reasons for its success. There’s only one small problem: it is designed to be developed with C-41. The same process used to develop color films. In recent years, however, after the explosion of digital, the laboratories that dealt with these films have gradually disappearing and often, those who want to use them, must resign themselves to send the rolls of exposed films to other cities (with consequently higher costs and waiting times), or to develop by themselves.
After the recent test of the Leica R5 (with the Vario-Elmar 35-70 zoom), I had the opportunity to shoot again with a series R camera, namely the R-E. This is a simplified version of R5, diversified by the fact of having only the manual exposure and aperture priority. It’s been produced in a limited number of units (about 6500) and according to the experts, has proven reliable and free from some electronic drawbacks present in the Leica cameras made before the R5. This time, in addition to the Vario – Elmar zoom I got to shoot with the “Mighty” Summicron R 50mm (Type II – Made in Germany) f/2. A lens that, if not quite up to the homonymous M series for rangefinder cameras, it certainly comes very close to the performance of that.