As you may have read in my previous post, here came recently a noble representative of the British pride: the Agilux Agifold III. A 6×6 medium format camera. Unfortunately, its extinction meter is no longer working (or at least, I have not been able to figure out how to use it) and then, I decided not to leave her alone in this test and I accompanied with an equally british Weston Master III.
Last week I published a successful post (both on this blog and on various social forums) about the first test with my Pentacon Six Tl. As written in the post, I had to develop another roll, mainly took the same day of the first one. The problems I got were pretty much the same, but at least a careful observation of the negatives and of the camera were useful to better clarify their causes and what I’ll have to do to solve them.
During the month of August, typically, people is on vacation or otherwise, busy with the many things to do left behind throughout the year. For this reason also the publication on this blog slows down. But, for (probably) the only one of this month I wanted go “big”, publishing an unusual mix of images taken with pinhole cameras. In addition to the Holga WPC you already know, I used for the first time the “Reality so Subtle” 6×6.
Recently, I’ve been quite busy both for purely professional reasons, both for participation in an important collective photographic project. The State of Things, this is its name, is a project of social and documentary photography, entirely self-financed and self-released, carried on by about 40 italian photographers, which aims to keep alive the attention of public opinion and institutions towards the situational city of L’Aquila (and vicinity), struck seven years ago by the disastrous earthquake that has devastated not only the urban aspect, but also the entire social and economic life. For this reason, I had to slow down both my usual shooting pace with the film, and the publication of new posts on this blog. But, I could not leave alone too long my loyal readers, and so, I had already prepared some material to be published in this period. Here is the second part of my tests carried out with the Canon 3000N, this time loaded with Kodak Trix.
A beautiful spring day, a friend who invites you to accompany him on a short trip to the beautiful Todi (one of the many jewels of Umbria) and the constant desire to photograph: what to ask more? And in fact, I immediately accepted the invitation and loaded my Leica M2 with a Tri-x, setting the Voigtlander VC-Meter @ box speed. As you know, in the past I had some problems with this film, when rated @ 400 Iso, but this time, I had on my side the ILFOTEC DD-X and I was sure that the outcome would have been much better.
This is the fiftieth post of this blog! It is now two years since I started shooting again with film. And to do that, I have from time to time, let fascinate by many “vintage” cameras which, in during the late 70’s/ early ’80,s when I was a young photography enthusiast I would have considered old and obsolete, not up to fulfill my alleged. ..talent. Obviously, the inexperience led me to consider the modern (at the time) Nikon F2, Pentax Lx, Olympus OM1 etc. as the only ones capable of producing high-end images. Of course I was wrong and I understand it … thirty or more years later, during my second analog life. One of the cameras that gave me the most satisfaction was an humble medium format folding made in the ’50s: the Agfa Isolette III.
Just a month ago,I presented on the “pages” of this blog, the Voigtlander Vitoret. A very simple camera but belonging, in some way, to the glorious Vito series. Having heard good things about Vitos, gradually my collection has grown, enriched with some easily available models on the market for low prices. The first one I tried was the Vito CLR, but there have been problems of development in the first roll and overlapping frames in the second (as published in this post). So I look to make a decent roll before publishing a complete test. Even so, the Clr in question is equipped with Color Skopar lens, which has a much higher reputation than the Lanthar used on Vitoret and on the camera I’m showing today: the Vito CSR.