CANON EOS 55 QD – IN THE LAND OF HEARTQUAKES (Part Two) – Trix pushed @ 800

002_EOS55QD_Trix_023

As mentioned in the previous post on the Canon 55 Qd, I went back after a year, in some of the places affected by the disastrous earthquake of 2009 in L’Aquila. This time, I used the camera with the 50mm f/1.8 II lens in some locations where the light was very poor. That’s why I had to push the Kodak Trix @ 800 Iso and in spite of that, in some cases, I had to use very slow speeds handheld. The results, however, do not seem despicable at all.

Continue reading

World Pinhole Day 2017

WPD_APR2017_Elab

My humble contribution to World Pinhole Day 2017. This shot was made on a 5″x7″ paper negative on April 30th 2017.

Continue reading

Canon Eos 55 Qd – In the land of Heartquakes (Part One)

001_EOS55QD_Foma_022

Lately I published very few posts on this blog. For various reasons I didn’t use film during the first months of this year, but I’m going to get it back, so I’m starting here a series of posts where I will talk about two Canon slrs, used with different films and lenses. The Eos 3000n canon has already been known on these “pages”, while today I propose the Eos 55 Qd. Recently, I returned to L’Aquila for the official presentation of the State of Things, the great collective project of documentary and social photography to which I had the honor and the pleasure of attending (I warmly invite you to check it). I have returned to places of suffering that has been going on for nearly 8 years, renewed since last August by the new earthquake swarm that hit the central Apennines.

Continue reading

Praktica again…. but with Pentacon 29mm

002_mtl5b_trix_029

Ok guys, I am back again. The beginning of the new year was a bit ‘busy and for various reasons, I have not posted anything during  January. This does not mean that I have not continued to take pictures, of course. 😉 Before moving on to other cameras and lenses, however, I wanted to finish the series of “experiments” with the Praktica. This time, on Mtl5B I mounted a Pentacon 29mm f / 2.8.

Continue reading

End of the year post: Praktica Bc1

001_prakticabc1_kentmere_029

It has been a long and intense year, the one that is about to end. This blog has grown thanks to the many readers around the world. Many things have happened and others will shortly happen. The most important was the Darkroom I built, where finally be able to print the best shots made with film. Soon, I will also print using ancient techniques, such as Platinum/Palladium and Cyanotype, when will be ready the U.V. contact printer that I’m building. Thanks to contact printing, I’ll be able to better use large format cameras too. Already a couple (M.P.P. Mark VIII 4″x 5″ and Reality so Subtle pinhole 4″x 5″) are already waiting to be used. But it will also, print (via internegative) images from digital files. So even intangible electronic images will become real. This post by the end of the year is dedicated to another East Europe’s camera, but this time it is not only manual, but electronics controlled with aperture priority exposure: the Praktica Bc1.

Continue reading

The cute little Werra & the… Pyramid!

001_werra_kentmere100_022-copia

It is true: we’re back in the …. Eastern Europe’s phase. The fact is that the cameras and film rolls accumulate, remain there for a while in half use and then finally, it is their moment to be finished, developed and published. So, it  happens that concentrated within a period, similar types or even different versions of the same models. This time it is the turn of the small, but very pretty, Werra 1. Obviously, produced in the former GDR. Simple, spartan (no range finder or meter), but well performing (Carl Zeiss Tessar 50mm f/2.8 lens) and with some  super-technologic “surprise”, at least for the time.

Continue reading

A Winter Series with Moskva 5

003_moskva_hp5_003

The Moskva 5 is a big Soviet made camera, which follows forms and performance of the most renowned folding Zeiss Super Ikonta. Snap 6×9 cm frames and 6×6 through a special removable mask. For the technical specifications of the camera back to the previous test readers: here and here. This time, taking advantage of a typical winter day, I wanted to use it in its native format, for large negatives (if any) to print.

Continue reading