Mamiya Rb 67 ProS (Part Two)

005_rb67_trix_008

As I wrote last time, my first outdoor experience with the Mamiya RB 67 was tiring but satisfying. In fact, the generous dimensions of the 6×7 cm negative and the quality of the lenses are ideal for landscape photography. Immerse ourselves in nature, in a place almost out of time, it can only do good for the spirit, and if we are able to bring home some good shots …. better yet.

Continue reading

Advertisements

Goin’ Big (and Heavy) – Mamiya Rb67 ProS (Part One)

004_rb67_hp5_005

It’s been love at first sight: she was large and heavy but it gave me a feeling of solidity and undeniable power. She went home with her beautiful Sekor C 90mm f/3.8 lens, a Vivitar duplicator  and two  SDPro backs, (one for 220) but she felt a bit lonely and I proceeded immediately to add Sekor C 50mm f/4.5 and 180mm f/4.5. At that point, I was ready to fight a war. The only problem is that such equipment can fight mainly in the studio photography, because to use it outdoors things get complicated struggle. And so, the time has passed (almost two years), until a few days ago …

Continue reading

The British Style: Agilux Agifold III & Weston Master III

992_agifold_trix_003

As you may have read in my previous post, here came recently a noble representative of the British pride: the Agilux Agifold III.  A 6×6 medium format camera. Unfortunately, its extinction meter is no longer working (or at least, I have not been able to figure out how to use it) and then, I decided not to leave her alone in this test and I accompanied with an equally british Weston Master III.

Continue reading

Found Film

found-film_001

Sometimes, when you receive a vintage camera, it happens to find inside an old negative, forgotten there for who knows how many decades. It happened to me twice in the past, into a folding 6×6 Rheinmetall Weltax and a few days ago, in another folding MF, the Agilux Agifold. In the first case, the roll was totally blocked and I could not avoid exposing it to light to pull it out. I only remember that it had a red bordeaux paper. This time, however, having noticed through the rear window the presence of a film (at N° 10), I rewound with the intention of developing it. It was an old Tri X Pan Professional, which I developed  semi-stand on Adonal (Rodinal) 1: 100 for an hour. Results? Totally disappointing but ….

Continue reading

Pentacon Six – Part Two

003_psix_trix_005

Last week I published a successful post  (both on this blog and on various social forums) about the first test with my Pentacon Six Tl. As written in the post, I had to develop another roll, mainly took the same day of the first one. The problems I got were pretty much the same, but at least a careful observation of the negatives and of the camera were useful to better clarify  their causes and what I’ll have to do to solve them.

Continue reading

Pentacon Six Tl – Houston we have a problem (or two)… Part One

002_psix_hp5_008

Being (among other things) a fan of cameras and their respectable lenses, made behind the Iron Curtain , long ago I had the opportunity to enrich my vintage “arsenal” with a beautiful  Pentacon Six Tl, fitted with its Carl Zeiss Jena Biometar 80mm f/2.8 standard lens, wlf and metered pentaprism with angled eyepiece (and diopter correction). The camera is truly remarkable aesthetic and mechanical conditions, but a first test roll gave so many problems that I thought of having to make another to correct some of my errors in the loading of the film and in the development of the same. In the meantime, I ordered a new focusing screen with split image on Araxfoto site. Following the instructions on the  Pentaconsix site (which I highly recommend for any info about these cameras), a few days ago I loaded a Ilford HP5+ film and started my hunting for satisfactory images. But …. things do not always go as we would like …

Continue reading

Reality So Subtle 6X6 & Holga 120 WPC – Mid August Pinhole Post

001_Rss6x6_Trix_001

During the month of August, typically, people is on vacation or otherwise, busy with the many things to do left behind throughout the year. For this reason also the publication on this blog slows down. But, for (probably) the only one of this month I wanted go “big”, publishing an unusual mix of images taken with pinhole cameras. In addition to the Holga WPC you already know, I used for the first time the “Reality so Subtle”  6×6.

Continue reading